Johann Adolf Hasse: Arias from Operas and Orchestral Pieces.

Rococo style in music occupies a really specific transition from Baroque style to the Classical era. Rococo music has diluted the highly complex polyphonic structures of the Baroque period into a lighter, simpler yet very ornamented elegant style of musical expression. Roughly landing in the decades between the 1740s -1770s rococo music took root in France and spread throughout Europe rapidly, to the delight of a growing class of ubiquitous music amateurs and aficionados. It was referred to differently throughout Europe – from Style Galant to Empfindsamer Stil (sensitive style) in Germany.

The Variations on a Rococo Theme, Op. 33, for cello and orchestra was the closest Pyotr Ilyich Tchaikovsky ever came to writing a full concerto for cello and orchestra. The style was inspired by Mozart, Tchaikovsky's role model, and makes it clear that Tchaikovsky admired the Classical style very much. However, the Theme is not Rococo in origin, but actually an original theme in the Rococo style.

Tchaikovsky wrote this piece for and with the help of Wilhelm Fitzenhagen, a German cellist and fellow-professor at the Moscow Conservatory. Fitzenhagen gave the premiere in Moscow on November 30, 1877, with Nikolai Rubinstein conducting. This was perhaps the only hearing of the Variations as Tchaikovsky wrote the piece, until 1941, when it was played in Moscow without Fitzenhagen's by-then-standard emendations.

Director: George Petrou (Director)
Cast: Max Emanuel Cenčić (Counter-Tenor)