Piano Masterclasses Elizabeth Sombart
Elizabeth Sombart, celebrated for her deeply expressive performances at prestigious venues such as Carnegie Hall and the Théâtre des Champs-Elysées, brings decades of teaching experience to these masterclasses. Her pedagogical approach, rooted in the Résonnance methodology pedagogy, focuses on refining technique, cultivating musical expression, and understanding the phenomenology of sound and gesture.
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18) Differences in the recapitulation
In this master class you will get insights on performing Beethoven's music
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18) Inner phrasing
In this master class you will get insights on performing Beethoven's music
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18) Difference in the theme during recapitulation
In this master class you will get insights on performing Beethoven's music
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18) Recapitulation of the theme
In this master class you will get insights on performing Beethoven's music
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18) Inner pulse
In this master class you will get insights on performing Beethoven's music
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18) Musical pulse
In this master class you will get insights on performing Beethoven's music
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18) Intro. Beethoven – Sonate No. 21 Op. 53, Waldstein (French)
Dans cette master class, vous découvrirez comment interpréter la musique de Beethoven.
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18) Intro. Beethoven – Sonata No. 21 Op. 53, Waldstein (English)
In this masterclass you will get insights on performing Beethoven’s music.
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17) Beethoven – Sonata No. 1 in F minor Op. 2
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17) Intro. Beethoven – Sonata No. 1 in F minor Op. 2 (French)
How the left hand phrases with or against the right hand.
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16) How to sing the notes of the melody
Enter the polyphonic universe of Brahms
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16) Phrasing the long line in Brahms
Enter the polyphonic universe of Brahms
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16) Integration of the melody and the chords
Enter the polyphonic universe of Brahms
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16) Intro. Brahms – Intermezzi Op. 117 (French)
Entrez dans l'univers polyphonique de Brahms.
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16) Intro. Brahms – Intermezzi Op. 117 (English)
Enter the polyphonic universe of Brahms.
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15) Chopin – Ballade No. 1 op. 23 – Part 2
Learn to use the pedal in Chopin. It's really the key to the sound in Chopin. You'll discover the art of phrasing the lines and prolong the phrase. Also discover how to balance the left hand in relationship with the right hand.
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15) Chopin – Ballade No. 1 op. 23 – Part 1
Learn to use the pedal in Chopin. It's really the key to the sound in Chopin. You'll discover the art of phrasing the lines and prolong the phrase. Also discover how to balance the left hand in relationship with the right hand.
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15) Intro. Chopin – Ballade No. 1 op. 23 (French)
In this lesson you will witness how to develop a keen sense of all the elements which compose a piece by Chopin. The first ballade offers all the aspects of Chopin's world.
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14) Music happens in between the beats
The art of rubato in Chopin
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14) Intro. Chopin – Ballade No. 4 (French)
L'art du rubato chez Chopin.
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14) Intro. Chopin – Ballade No. 4 (English)
The art of rubato in Chopin.
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13) Rhythm of the berceuse; how to create the rubato naturally
Discover the art of rubato in Chopin
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13) Intro. Chopin – Berceuse Op. 57 (French)
Découvrir l'art du rubato chez Chopin.
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13) Intro. Chopin – Berceuse Op. 57 (English)
Discover the art of rubato in Chopin.
