Ballaké Sissoko is a Malian player of the Kora. He has worked with Toumani Diabaté and Taj Mahal, and is a member of the group 3MA with Driss El Maloumi and Rajery.

Ballaké's father, Djelimady Sissoko, was a notable musician from the Gambia in his own right who moved to Mali and was funded by the government to be part of the national orchestra. Sissoko started playing music at a young age, as most born into the jeli or griot caste do. In 1981, when he was 13, Sissoko's father died, and he took his father's place within the Ensemble Instrumental National du Mali. He also performed with several prominent female singers before coming to fame through his duet with Toumani Diabaté in 1999. In 2000, he formed the trio Mande Tabolo with an n'goni player and a balafon player.

Ten fingers for twenty-one strings, and magic takes place, surely, calmly. Ballaké Sissoko enlaces us in his suave and crystalline sonority and his kora, magnified by his talent as a melodist and an improviser. He explored new horizons by inviting musicians as varied as Salif Keita, Arthur Teboul (Feu! Chatterton), Camille, Oxmo Puccino, Vincent Segal and Patrick Messina, Piers Faccini to collaborate with him. Ballaké style, that plaited new strands into the long cord or ‘djourou’ that links him to other musicians and to the history of the kora. There’s no doubt that Ballaké owes his taste and talent for the musical encounter to his consummate listening skills. But they’re also the fruit of the long conservations he never tires of having with his own instrument.

During these strange and paradoxical ‘solitary dialogues’, he makes his kora speak and reacts to the emotions it arouses in him, letting his imagination and his fingers fly off to landscapes that are both magnificent and unknown. It’s there that his qualities as an improviser can be accurately measured, qualities that he began cultivating long ago in the shadow of the venerable elders of the Instrumental Ensemble of Mali, when he was still a young boy.