SAINKHO NAMTCHYLAK & NED ROTHENBERG
Jazz
•
49m
Sainkho Namtchylak: advice to amateurs, the “Bjork of the steppes” is completely crazy ... The Russian singer “connected” to telluric forces cultivates eccentricity and practices “food art”. She has the voice of an elf or cave monk, depending on the mood, and uses it to convey the epic accents of the great outdoors, trigger sonorous aurora borealis or imitate a flight of crows in winter, during scenic trances that last. of the spiritualism session.
Sainkho Namtchylak (voice), Ned Rothenberg (clarinet, alto saxophone, shakuhachi). Namtchylak and Rothenberg have a rich history together, first recorded on 1996’s Amulet and accelerating in recent years with the formation of SainkhoKosmos, which can be heard on Cafe Oto’s and Echo of the Ancestors.
Some of Rothenberg and Namtchylak’s collaborations tread the laid-back feeling of lounge rock and trip hop with their glossy production, like Stepmother City or Echo of the Ancestors. There’s a greater energy and immediacy in their live performances together, captured on Amulet, and here. Amulet succeeds not just because of a complimentary approach to folk musics or overtones, but Namtchylak’s emotional rawness. On Antiphonen, her contributions are more restrained, significantly less guttural, less visceral. The effect is a confusing emotivity without the cathartic payoff; her sighs, wails, and cries carry the emotional baggage of human communication but seem uninvested in it. Surely a challenge for many vocalists. Still, this is a worthwhile snapshot of this famous duo - the best since Amulet
Cast: Sainkho Namtchylak, Ned Rothenberg
Up Next in Jazz
-
AVISHAI COHEN Jazz Quartet
The purity of sound at its peak It was in February 2016 that trumpeter Avishai Cohen - not to be confused with his namesake double bass player - made a big impression by releasing on the prestigious German label ECM one of the most beautiful albums of the year 2016, "Into the silence" , who recei...
-
MAURICE RAVEL and Jazz by the Orchest...
“Take Jazz Seriously!” It was under this injunctive title that in 1928, during his trip to the United States, Maurice Ravel addressed the readers of the journal Musical Digest and, by extension, all the composers of his time. A few months earlier, the second movement of his Sonata for violin and ...
-
The NORA KAMM Quartet
Her Jazz remembers soul music, its funky evolution and also incorporates the rhythms and harmonies of traditional music from Eastern Europe, from the Balkans to the East and also from Brazil. It is this blend of influences that makes his music so original. Beneath an apparent seductive simplicity...